Why are the Laws levelled at us? Are we more dishonest than the rest? - The Beggar’s Opera
Theatre @ York embraces the question with edgy production of The Beggar's Opera
TORONTO, January 9, 2014 — At its London premiere in 1728, John Gay's rollicking Beggar's Opera caused a sensation. Lampooning the politics and public morality of the day, it became an instant hit.
In 2014, York University’s Faculty of Fine Arts brings together professional and emerging talent in theatre, music, dance and digital media in an edgy new production of this satirical masterpiece.
Adapted and directed by interdisciplinary theatre artist Gwen Dobie,Theatre @ York’s Beggar’s Opera previews January 28, opens January 29 and runs to February 1. It unfolds as a play within a play with a decidedly modern vibe, bringing the audience into the action. The show transforms York University’s Sandra Faire & Ivan Fecan Theatre into the Lincoln Fields Correctional Institute, where visitors are subjected to 21st century surveillance measures to witness the ‘inmates’ performing within.
Well-known television host Pamela Parker reports live from Lincoln Fields, a medium-security prison for men and women in present-day Toronto. She's researching a story on the workings of the criminal justice system – in particular, the effectiveness of incarceration and the programs available to inmates to help them reintegrate into society once they’re released.
The facility is run by the socially progressive prison warden Beckett Benjamin Graff, a lover of theatre who believes in the therapeutic power of the arts. Graff decides that the gang members, prostitutes, con artists and thieves serving their time at Lincoln Fields will benefit from the opportunity to put on a play that mirrors their plight: a play about the social ills, human failings and moral choices that have put them behind bars. The inmates have volunteered to design and perform a production of The Beggar's Opera.
The story revolves around the love triangle between the thief Macheath, Polly Peachum, the sheltered daughter of Macheath's fence, Mr. Peachum, and Lucy Lockit, the jailer's daughter. It’s also a tale of corruption, social inequality, and malfeasance in high and low places. Thieves, gangsters, politicians, lawyers ... who can tell them apart?
Director Gwen Dobie’s approach to the production is grounded in the concluding sentence of Gay’s play: The lower sort of people have their vices as well as the rich: the poor are punished for them.
“I considered The Beggar’s Opera in relation to our 21st century world,” said Dobie. “Is it just a period piece, a quaint relic of a rougher, tougher time? To find out, I researched the issues it deals with – politics and the law, poverty and social inequality, executions, body-snatching and dissections, financial crimes, embezzlement and stock market manipulation – in our time.
“And of course, all these things – even body-snatching! – are still with us today,” said Dobie. “It’s apparent that since John Gay set quill to paper, the social ills he writes about haven’t been resolved. Issues of poverty, inequality and social justice remain at the forefront of our society.”
Dobie teaches movement for actors and devised theatre in York’s Department of Theatre. She is the co-founder and co-artistic director of Out of the Box Productions, a performance fusion company that creates original works integrating drama, dance and opera. Her directing credits with Out of the Box include Opera Erotique, which toured in BC (2004) and was remounted in Toronto (2010); Sound in Silence, which played at the Belfry Theatre in Victoria BC (2008) and the Theatre Centre in Toronto (2009); and Bugzzz ~ A Cautionary Tale at Toronto’s Wychwood Theatre (2012). Other directing credits include the Aventa Ensemble’s North American premiere production of the Danish opera On this Planet by Anders Nordentoft (McPherson Playhouse, Victoria BC, 2007) and the world premiere of Canadian composer Christopher Donison’s opera Eyes on the Mountain (Victoria Conservatory of Music, Victoria BC, 2001). Most recently, Dobie directed the well-received production of Purcell’s Dido and Aeneas at York University (2012) and Handel’s oratorio Solomon, conducted by Stephanie Martin, for Toronto’s Pax Christi Chorale (2013).
Musical direction for Theatre @ York’s Beggar’s Opera is by music professor and noted choral composer and conductor Stephanie Martin, with musical preparation by renowned mezzo soprano Catherine Robbin, head of York’s classical vocal music program. The singing cast features students in York’s performance programs, with live accompaniment by a chamber orchestra led by Floydd Ricketts.
Supporting the action are six members of the York Dance Ensemble, York’s pre-professional repertory company, performing original choreography by Professor Michael Greyeyes. Digital media creative production is headed by interdisciplinary media artist Don Sinclair, coordinator of the Digital Media Program in the Faculty of Fine Arts. Theatre professor James McKernan, a specialist in sustainable theatrical scenographic technologies, is the producer.
A talented team of undergraduate theatre students is handling all aspects of the production design and execution, from sets and costumes to sound and lighting design. Live and pre-recorded audio and visual projections created by York’s rising young digital media artists create an immersive environment where the audience’s every move is tracked by the watchful eye of security cameras and controlled by disapproving prison guards.
For more information about the production, cast and creative team, showtimes, location and tickets, visit finearts.yorku.ca/beggarsopera.
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Each year, Theatre @ York mounts a challenging and entertaining slate of plays, featuring some of Canada’s most promising performance and production talent. Established in the Department of Theatre at York University in 1969, it has been a springboard for a generation of outstanding Canadian theatre artists. Theatre @ York alumni include stage and screen actors Rachel McAdams, Thom Marriott, Deborah Hay, Patrick Galligan, Melody Johnson, Tamara Bernier, Maurice Dean Wint and Christine Horne; playwrights Ins Choi, Anusree Roy and Djanet Sears; designers Charlotte Dean, Dana Osborne and Jason Hand; and directors Weyni Mengesha, Richard Rose and Jillian Keiley.
York University’s Faculty of Fine Arts is one of North America’s premier schools for the visual and performing arts, media and design. With more than 3,400 undergraduate and graduate students and 245 faculty, it is the most comprehensive professional training and research institution in the field in Canada, offering conservatory and academic studies in all the fine arts: dance, design, digital media, film, music, theatre and visual art/art history.
Theatre @ York presents The Beggar’s Opera
by John Gay, adapted and directed by Gwen Dobie
musical direction by Stephanie Martin
choreographed by Michael Greyeyes
preview January 28, opening January 29, runs to February 1
Tues-Fri at 7:30pm; matinees Fri & Sat at 1pm
Sandra Faire & Ivan Fecan Theatre, Accolade East Building, York University
4700 Keele St. Toronto | Map & Directions
Performance Schedule:
Tues. Jan. 28, 7:30pm - PREVIEW
Wed. Jan. 29, 7:30pm - OPENING
Thurs. Jan. 30, 7:30pm
Fri. Jan. 31, 1pm & 7:30pm
Sat. Feb. 1, 1pm
Box Office: 416-736-5888 | boxoffice@yorku.ca
Admission: $17 | students & seniors $12
Preview: $5 Tues. Jan. 28
Groups: $7 (10 or more). Fri. Jan. 31 matinee group: $5
Event website: finearts.yorku.ca/beggarsopera
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Media contact:
Dianne Weinrib, DW Communications
dw@dwcommunications.net | 416-703-5479
