TORONTO May 16, 2005– Internationally renowned British/American sculptor and theorist William Tucker is joining York University’s Visual Arts Department this month as the L.L. Odette Artist-in-Residence.
Equally at home in the studio and the lecture hall, Tucker will share with students, faculty and the general public his decades of experience and lively engagement with the art of sculpture.
Tucker will be in residence at York from May 16-21 and again May 30-June 3. During that time, he will be working in the university’s L.L. Odette Centre for Sculpture to complete his latest piece: a 600 lb. bronze casting titled “The Void”.
Working alongside him will be a group of eleven visual arts students enrolled in an intensive, hands-on course in foundry technique. The students will assist Tucker with his piece, observing and learning from his example. Concurrently, they will be working on their own original projects with his guidance and support.
Tucker’s residency was organized by visual arts professor Brandon Vickerd, who has long been an admirer of his work and his integrated approach to making and teaching art.
“Tucker’s theories around art-making are totally grounded in the studio experience,’ Vickerd said. “We’re very fortunate to be able to offer our students the chance to work with him. The friendly give-and-take that happens in this kind of informal mentorship is a wonderful way to develop as an artist.”
The L.L. Odette Centre for Sculpture at York is one of the finest facilities in North America for teaching and research in sculpture. Named in honour of its major benefactor, Toronto businessman and philanthropist Louis L. Odette, the centre houses a state-of-the-art ceramic shell lost wax bronze foundry.
Tucker’s contributions during his residency at York are not limited to his collaborative work in the studio setting. He will also share his insights with the wider community through two public lectures.
On May 19, Tucker will give an illustrated talk on the foundry castings of Italian sculptor Medardo Rosso (1858-1928), shedding new light on the pivotal contributions and relevance of this often-overlooked artist. The talk will be held at 8 pm in Jackman Hall at the Art Gallery of Ontario, 317 Dundas St. West. There will be a reception for the audience following.
Tucker will speak about his own artistic practice in an informal talk on June 1 at 11:00 am in Room 214, Joan & Martin Goldfarb Centre for Fine Arts at York University, 4700 Keele St.
Admission to both lectures is free, and everyone is welcome. For more information about the lectures, please call the Department of Visual Arts, 416 736-5187.
William Tucker’s artist-in-residency is made possible through the generous support of Louis L. Odette, the founder of the Toronto Sculpture Garden and a longstanding friend of York University’s Faculty of Fine Arts. This is the fourth year of the L.L. Odette Artist-in-Residency program at York.
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Biographical note below
For photos, or to arrange a media interview or studio visit with William Tucker, please contact:
Mary-Lou Schagena
Communications, Faculty of Fine Arts
York University
416-736-2100 ext. 20421
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William Tucker
“I see the role of contemporary sculpture as preserving and protecting the source of mystery, of the unknown, in public life.” (William Tucker, 1998)
Born in Cairo in 1935, William Tucker studied history at Oxford University and sculpture at the Central and St. Martin’s Schools of Art in London, where Anthony Caro was one of his teachers. He represented Britain at the 1972 Venice Biennale and curated the landmark exhibition ‘The Condition of Sculpture’ for London’s Hayward Gallery in 1975. Emigrating to the US in 1978, he went on to win a Guggenheim Fellowship for Sculpture and the Sculpture Center Award for Distinction in Sculpture, among other honours.
Tucker’s work has been showcased in more than 60 solo and 100 group exhibitions on five continents, including London’s Tate Gallery and the Museums of Modern Art in New York, Fort Worth, Paris and Tokyo. Public collections include the Guggenheim, Metropolitan Museum and MOMA, New York; Washington’s Hirschhorn Museum and Sculpture Garden; the British Museum and Victoria and Albert Museum, London; Rijksmuseum Kroller-Muller, Otterlo, The Netherlands; and the National Gallery of Victoria, Melbourne and Art Gallery of New South Wales, Sydney, Australia. His public art exhibitions include permanent installations at Grove Isle Sculpture Garden, Miami; Runnymede Sculpture Park, Menlo, California; Riverside Sculpture Park, Abandoibarra, Bilbao, Spain; and Parque de la Memoria, Buenos Aires, Argentina.
Among Tucker’s publications is the authoritative textbook, The Language of Sculpture, in Thames & Hudson series (American ed. Early Modern Sculptur, Oxford University Press).
Tucker lives in Massachusetts and co-chairs the studio art program at Bard College, NY. He is currently working on a major commission for Bilbao, Spain.
